Vosbikian Band The Vosbikian Band will soon be celebrating its fiftieth anniversary. They were originally formed in 1939. The first group consisted of band leader, Samuel Vosbikian on clarinet, Mike Vosbikian on saxophone, Charles Mardigian on banjo, Peter Endrigian on doombeg, and Joseph Vosbikian on drums. They played at all sorts of family gatherings and church functions around the Philadelphia area. Their first out-of-town appearance came in 1940 at Armenia Hall in Union City, New Jersey for an AYF Mid-Atlantic Jamboree. They went there representing the Philadelphia Chapter, and won. The original band played until the end of 1941 but because of the outbreak of World War II, they had to put everything on hold. After the war in 1946, after all the boys had returned home from the war, a new group was formed. This new Vosbikian Band took up where the old group left off and the public was ready and waiting. It consisted of band leader, Samuel Vosbikian - oud, Mike Vosbikian - saxophone, James Vosbikian - clarinet and vocals, Albert Santerian - doombeg, and Joseph Vosbikian - doombeg. From this time forward, the band kept gaining popularity. They had brought Armenian music to a level where all could understand and enjoy it. They had revitalized the old culture and new bands were springing up everywhere. In 1948, Jirair Hovnanian joined the band as a vocalist and contributed many beautiful songs to their ever-increasing repetoire. In 1949, Steve Ajdaharian came on board as a pianist and vocalist and brought with him newer and fresher interpretations to many of the older numbers. (Note: Steve passed away prematurely in 1972 at the age of forty. His “Yares Inzmeh” vocal and “Enzeley” piano solo on the Vosbikian 78s ranks high among the timeless Armenian classics.) In 1950, Steve Terkanian joined the band playing a tambourine. The classic big band sound was still in the process of growth. Between 1949 and 1951, the Vosbikian Band recorded eleven 78 rpm recordings. The first American Armenian band to do so. As to their popularity, all functions or social events at which they performed were overwhelmingly successful. They single-handedly revitalized the American Armenian social scene. No matter what the occasion, when the band started playing, the whole place came alive. It was magic. Man, woman, old, young, it made no difference. When the Vosbikian Band played, all anxieties disappeared; all differences were forgotten. It was a phenomenon; it was a renaissance. In 1955, they recorded their first LP and again they were the first Armenian American band to do so. Mr. Vahakan Hovnanian added his vocal charm to this album. The band kept playing through the fifties and into the sixties. In 1963, the Vosbikian Juniors were born. Its members consisted of Sam Vosbikian, Jr (Sam’s son) - oud, Steve Vosbikian (Sam’s son) - clarinet, John Vosbikian (Joe’s son) - saxophone, Gregory Vosbikian (Sam’s son) - doombeg, and Michael Vosbikian (Mike’s son) - saxophone. The occasion was at a hantes at the old 16th and Oxford Sts. Saint Gregory’s Church Hall in Philadelphia. The Vosbikian Band was announced, the lights were dimmed, the music started, the curtains were drawn, and what the unsuspecting public in attendance saw instead of the regular seniors, was a group of young men ranging in age from twelve to sixteen. They brought the house down. In 1975, the seniors and the juniors combined their talents on a new album called, “The Fabulous Vosbikian Band.” This enlarged group consisting of two generations was as follows: The Original Vosbikian Band Sam Vosbikian, Sr., Leader - Mandolin Mike Vosbikian - Saxophone Jim Vosbikian - Vocalist Al Santerian - Big Doombeg, Tambourine Joe Vosbikian - Doombeg, Vocalist The Vosbikian Jrs. Steve Vosbikian, Leader - Clarinet Gregory Vosbikian - Oud Michael Vosbikian, Jr. - Saxophone John Vosbikian - Saxophone Steve Hovnanian - Finger Cymbals, Vocalist Sam Vosbikian, Jr. - Big Doombeg Skip Krepelka - Guitar Nineteen-eighty-nine will mark fifty years since the Vosbikian Band came onto the public scene. During that time, they have played at countless weddings, hantesses, banquets, and private affairs. They have also played for heads of state, royalty, dignitaries, and Armenians representing the entire Diaspora. Whenever they’ve performed, whether individually, together, for large groups or small, they’ve always played for the sheer joy of it. As time passes, the moods and styles of Armenian music will change, as it has over the last fifty years, but the famous pulse of the Vosbikian Band will always remain constant and this is understandable because it’s a beat that comes straight from the heart. Joseph Vosbikian